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- Steven universe storyboard program how to#
- Steven universe storyboard program movie#
- Steven universe storyboard program pro#
Steven universe storyboard program how to#
I didn’t learn how to use SBPro until my very first job.What’s more, details of the world of Steven Universe were vague in the pilot since they had yet to be ironed out behind the scenes. However: all the training I did leading up to my first job was done on paper, or on Photoshop. It’s the best program I know for doing production storyboards.
Steven universe storyboard program pro#
I’ve used Storyboard Pro almost exclusively as a professional. I also recommend books like: T he Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition, and any of the Master Shots books. Boards on Steven Universe will vary a lot from a show like Adventure Time will vary a lot from a show like Korra, etc. You’ll get a good understanding of what the work actually looks like, and how it can vary depending on the style of production.
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Other ways to train: study storyboards from artists you find online! There are so many great storyboards being posted these days. You’ll start to understand the machinery behind it all, see the strings being pulled, the reasons for the decisions behind made–why is the lighting like this? What tiny expression change from the character totally changes the feeling of the scene? Why is it cutting so quickly, or so slowly? You’ll build your shot library and hone your decision-making skills the more you study and understand the reasons behind it all. What is the sequence of shots? How does the composition in one shot lead your eye to the next? What motivates a cut–does a character start to stand up, does someone from off-screen start to say something? Do quick thumbnail sketches for each shot, each important beat inside that shot–the important thing isn’t to do nice drawings, but to capture the information in the sequence as it’s given to you as an audience member.
Steven universe storyboard program movie#
Find a scene in a movie or show (or a video game cut scene, even–many narrative games out there are on par with great tv and film) you love and watch it through a few times. One of the best ways to practice all of the above is to do film studies. (I’M definitely still learning.) You also don’t need to be great at all of those things (or even most of them) to get a job as a storyboard revisionist–you just need strong drawing fundamentals, an interest in storytelling for TV/movies/etc, and you’ll want to be ready and excited to learn on the job. It’s a lot! But it can be a lot of fun, and it means you never really stop learning. Be able to think about and show how a character lives in and interacts with the world around them–how one character might walk into a room entirely differently than another. Be an actor: know how a character moves, talks, what small mannerisms make a character feel alive and uniquely them.Is it more effective to stay close on this character as they react, to give the audience time to feel and settle into the same thoughts or emotions the character is feeling? Or is the character’s reaction not the point of this scene? Be an editor: understand how a scene will feel when moving, where and when to cut to the next shot.Know how to guide the audience’s eye to what’s most important on the screen from shot to shot, not just in a single drawing. a medium shot versus a close up (intimate) versus a wide (informational, impersonal). Be a cinematographer: know good shot composition, the utility of shot choices i.e.Some shows will want you to draw perfectly on model, others won’t, but the most important thing is–can you clearly draw all the information needed by the many departments who will use your storyboards as a blueprint for the final product? Be a solid draftsperson: be able to draw proper perspective, correct proportions, clear acting (both gesture/movement and facial acting).To be an effective storyboard artist in any medium, you’ll want to: I wrote a whole lot in response because I love talking about this stuff–I hope it was helpful for her, and I figured I’d post it here just in case it could be helpful for anyone else! HI HELLO long time no see! I haven’t been on here in a long time!Ī while back, a student reached out to me over e-mail and asked for suggestions and tips on storyboarding, and asked how to become an effective storyboard artist. How to train yourself to be an effective storyboard artist